Alternative Dreamers

Jimmy Baker · Michael Scheurer · Jordan Tate · Shinji Turner-Yamamoto · Joseph Winterhalter

September 5, 2017 – January 31, 2018

Jimmy Baker, Alternate Projects
Jimmy Baker
Arrangement 9, 2016
oil, aerosol and UV print on canvas over panel
22h x 22w in
JIB001
POR
Jimmy Baker, Alternate Projects
Jimmy Baker
Arrangement 10, 2016
oil, aerosol and UV print on canvas over panel
22h x 22w in
JIB002
POR
Alternative Dreamers, Alternate Projects

Alternative Dreamers installation view

Michael Scheurer, Alternate Projects, Alternative Dreamers
Michael Scheurer
Untitled #24 (Inky Series), 2017
mixed media collage
9 1/4h x 6 3/4w in
MS_001
POR
Michael Scheurer, Alternate Projects, Alternative Dreamers
Michael Scheurer
Untitled #4 (Summer Series), 2017
mixed media collage
10 1/2h x 8 1/2w in
MS_002
POR
Michael Scheurer, Alternate Projects, Alternative Dreamers
Michael Scheurer
Untitled #5 (Summer Series), 2017
mixed media collage
7 1/2h x 6 1/2w in
MS_003
POR
Michael Scheurer, Alternate Projects, Alternative Dreamers
Michael Scheurer
Untitled #14 (California Series), 2014
mixed media collage
8h x 5 1/2w in
MS_004
POR
Michael Scheurer, Alternate Projects, Alternative Dreamers
Michael Scheurer
Untitled #16 (Inky Series), 2014
mixed media collage
8h x 5 3/4w in
MS_006
POR
Michael Scheurer, Alternate Projects, Alternative Dreamers
Michael Scheurer
Untitled #12 (California Series), 2014
mixed media collage
8 3/4h x 7w in
MS_005
POR

Michael Scheurer, installation view

Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P1, 2012
pigment print
JT001
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P2, 2012
pigment print
JT002
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P3, P4, 2012
pigment print
JT003
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P5, 2012
pigment print
JT004
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P6, 2012
pigment print
JT005
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P7, 2012
pigment print
JT006
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P8, 2012
pigment print
JT007
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P9, 2012
pigment print
JT008
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
Gamut Warning P10, 2012
pigment print
JT009
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR

Jordan Tate
Gamut Warning Series
installation view
 

Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
New Romantics #5, 2017
archival Inkjet, wood
JT011
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR
Jordan Tate, Alternate Projects, Alternative Dreamers
Jordan Tate
New Romantics #7, 2017
archival Inkjet, wood
JT010
1 out of an edition of 3 + 2 APs
courtesy Denny Gallery
POR

Jordan Tate 
New Romantics #7 and New Romantics #5
installation view
 

Shinji Turner-Yamamoto, Alternate Projects, Alternative Dreamers
Shinji Turner-Yamamoto
Quintessence #1, 2013 |
cultured crystals, archival acetate, gold and silver leaf, pigment, gesso, animal glue, tree resin, clay bole, wood panel
18h x 15w x 7 1/2d in
STY001
POR
Shinji Turner-Yamamoto, Alternate Projects, Alternative Dreamers
Shinji Turner-Yamamoto
Quintessence #2, 2013
cultured crystals, archival acetate, gold and silver leaf, pigment, gesso, animal glue, tree resin, clay bole, wood panel
18h x 15w x 7 1/2d in
STY002
POR

Shinji Turner-Yamamoto  
Quintessence #1 and Quintessence #2
installation view
 

Shinji Turner-Yamamoto, Alternate Projects, Alternative Dreamers
Shinji Turner-Yamamoto
Pentimenti #62, 2017
cultured crystals grown on a c.a. 450-million-year-old Ordovician fossil fragment, 24kt gold leaf, mixtion, natural resin
5h x 6w x 3d in
STY003
POR

Shinji Turner-Yamamoto   
Pentimenti #62
installation view

Joseph Winterhalter, Alternate Projects, Alternative Dreamers
Joseph Winterhalter
LVG 21c. #25, 2009
acrylic, latex, magic marker ,graphite, spray primer, oil, wax on canvas
78h x 72w in
JW_002
POR
Joseph Winterhalter, Alternate Projects, Alternative Dreamers
Joseph Winterhalter
LVG 21c. #24, 2009
acrylic, acrylic resin, latex, powdered graphite, oil, wax on canvas
75 1/2h x 49w in
JW_001
POR

Joseph Winterhalter 
LVG 21c. #25 and LVG 21c. #24
installation view
 

Joseph Winterhalter 
LVG 21c. #24
installation view
 

Press Release

Alternative Dreamers at Ascent Private Capital Management, Cincinnati 
BY APPOINTMENT ONLY
This exhibition is by appointment only - please schedule a time to view it by contacting info@alternateprojects.net

Alternate Projects is pleased to announce Alternative Dreamers, an exhibition presented by Ascent Private Capitol Management, Cincinnati in association with Elizabeth Leach Gallery, Portland, Oregon and Alternate Projects, Cincinnati. Alternative Dreamers, installed throughout the private offices of Ascent Private Capital Management, is a show organized by Linda Schwartz, Director of Alternate Projects. 

Alternative Dreamers presents the work of five Cincinnati-based artists all united, as the show title suggests, by their unique visions and approaches. They are a mix of emerging and seasoned contemporary artists, several with representation and most with full exhibition histories. Though of the region, their work transcends it, and all reflect current art world trends. These are artists who have a strong contextual understanding of art history and its relation to their work. And, though the end result, how and why it got there, are intrinsically different, each artist  is process-driven, relying heavily on the act of making to dictate what a piece will become.

Whether pulling images from the Internet or using objects from his studio, as he did for the work in this show, Jimmy Baker’s paintings evolve out of a random search for imagery. These objects and/or images are juxtaposed together, eventually becoming the printed surface upon which Baker then begins to paint. From this complex process, Baker creates pieces that obscure the boundaries between painting and photography and between the abstract and what is real.

Michael Scheurer also relies on the random collection of “images.” The foundation for his work rests on vast stockpiles of materials Scheurer has collected over his forty-year career- scientific illustrations, maps, vintage Indian cinema posters, pages and illustrations from old books, fabrics…. Collaged together, the content behind Scheurer’s sumptuous imagery begs the viewer to explore it over and over again.

Jordan Tate, whose work is mostly photographic, is concerned with the visual and conceptual processes of image comprehension. To date, Tate has worked mainly with appropriated images like those seen in the show’s Gamut Warning series. His latest body of work, however, shows a shift in process. For these pieces landscapes are actually shot with 4 x 5 black and white film and then drawn on digitally. These new pieces appear easily accessible, pretty, and even a bit romantic. They represent a rejection against the sterile, scientific, slick, digitized images of most popular contemporary photography.

By combining such elemental materials as trees, fossils, and/or minerals in new and unexpected ways, Shinji Turner-Yamamoto creates pieces that are meditations on man’s relationship to the natural world and the universe beyond. Crystals cultured by Turner-Yamamoto form the content in the Quintessence series. Their beautiful unique white patterned surfaces, the result of material and natural processes, and equally, multiple layers of materials, are created not only through the artist's hand but as elsewhere, in the small sculptures of his Pentimenti series, by the processes of nature and time.

Joseph Winterhalter meticulously works the surfaces of his paintings so they appear to have been scraped raw or peeled repeatedly to suggest prior histories. The use of the tile motif in his paintings began not only for stylistic reasons, but also as a way for Winterhalter to investigate what he describes as the “…pervasive usage and reception of cold, antiseptic and passively oppressive ceramic tiles in the architecture of prisons, hospitals and institutional spaces…” In the show’s 2 paintings, though the tiles still take center stage, in LVG 21c #25, they look more like reflections on the outside of a building and in LVG 21c #24, they are becoming pixel-like.

Bios
Jimmy Baker (b. 1980 Dover, Ohio; resides Cincinnati, Ohio) is an associate professor in the Studio Department at the Art Academy of Cincinnati. He has exhibited work in New York, Los Angeles, Paris, London, Basel, Miami, Chicago, Dallas, and other American cities. His work has been featured in many publications, private collections, as well as permanent collections at the Crystal Bridges Museum of American Art, Zabludowicz Art Trust London, Taschen Foundation Berlin, Cincinnati Art Museum, Columbus Museum of Art, and Progressive Insurance Collection.

Michael Scheurer (b. 1954 Cincinnati, OH; resides Cincinnati, Ohio) is a collector- professionally, artistically and personally. Professionally, he is renowned as a connoisseur of ancient, antique, and modern decorative art objects. Scheurer studied liberal arts at Xavier University (Cincinnati) and textile design at the Fashion Institute of Technology (NYC). His work is held in private collections from New York to Sydney, Australia and has also been featured in numerous group shows across the country including at such venues as Zephyr Gallery (Louisville, KY), Michael Lowe Gallery (Cincinnati, OH), SOMArts (San Francisco, CA) and in 2017, it was the subject of a retrospective at the Alice F. and Harris K. Weston Art Gallery (Cincinnati, OH).

Jordan Tate (b. 1981 Louisville, KY; resides Cincinnati, Ohio), is an Assistant Professor of Art at the University of Cincinnati. Tate, a Fulbright Fellow (2008-2009), earned a Bachelor of Philosophy in Interdisciplinary Studies from Miami University and a Master of Fine Arts in Photography from Indiana University. His work is currently held in collections nationwide, including Rhizome at the New Museum, the Museum of Contemporary Photography, The Bidwell Projects, the Cincinnati Art Museum, The Columbus Museum of Art, and the Museum of Fine Arts, Houston. Tate is represented by Denny Gallery (NYC) and his work recently showed at: Denny Gallery, New Shelter Plan, Herron School of Art, PH Gallery (UK), Higher Pictures (NYC), The Photographer Gallery (London, UK), and the Museum of Contemporary Art, Cleveland.

Shinji Turner-Yamamoto (b. 1965, Osaka, Japan; resides Cincinnati, OH) studied at Kyoto City University of Arts, and at Accademia di Belle Arti, Bologna. His is the recent recipient of a Kohler Residency and has also received grants from the NEA, The Ruth and Harold Chenven Foundation, The Lillian Orlowsky and William Freed Foundation Grant, and project support from Antioch College, Cill Rialaig Project and SiTE:Lab. Turner-Yamamoto shows globally both in exhibitions and with site-specific installations. His 2017 schedule includes SAPAR CONTEMPORARY, NY; Des Moines Art Center, Des Moines, IA; Akron Art Museum, Akron, OH. His site-specific installation at SiTE:LAB, Grand Rapids, MI, received the 2011 ArtPrize International Juried Award and his work is held in world-wide collections.

Joseph Winterhalter (b. 1965 Cincinnati, OH; resides Cincinnati, OH) received his BFA in Painting from Ohio University in Athens OH, in 1991 and attended the graduate program in painting and drawing at Louisiana State University (Baton Rouge, LA). He has had solo shows at Firecat Projects (Chicago, IL), Clay Street Press (Cincinnati, OH), IN SITU (Birmingham, MI) and Alice F. and Harris K. Weston Art Gallery (Cincinnati, OH). His work is included in both national and international private collections.

This exhibition is by appointment only - please schedule a time to view it by contacting info@alternateprojects.net
All of the artwork in this exhibition is available for purchase. Inquiries contact 
info@alternateprojects.net

 

Alternate Projects is an online venue specializing in artist multiples, editions, books, ephemera, and unique art from the 1960s to today. Exhibitions and other related projects are also presented periodically online as well as at various brick-and-mortar locales. All highly collectible and often historically significant, look for the uncommon and exceptional and visit Alternate Projects often for new arrivals and posts.

Linda Schwartz is the owner/director of Alternate Projects. She has been active in the midwest region for twenty years, first through her commercial gallery, and then as Linda Schwartz Projects.